The Australian Book Industry: Authors, publishers and readers in a time of change
The Australian Book Industry: Authors, publishers and readers in a time of change is a three-year research project funded by the Australian Research Council and Macquarie University.
Professor David Throsby from the Department of Economics at Macquarie University heads the research team, which also includes Dr Jan Zwar, Mr Paul Crosby and Mr Callum Morgan. The project started in February 2014 and will be completed in early 2018.
- Authors and their responses to changing circumstances
- Book publishers and the ways in which they contribute economic, social and cultural value; and
- Practices of contemporary book readers.
We are also in discussions about extending the research to other parts of the Australian book industry.
This research is conducted as part of the Macquarie University REACH Research Network, which stands for Research in the Economics of Art, Culture and Heritage.
The book publishing landscape has changed considerably in recent years with a rise in the popularity of self-publishing, the entry and growth of new fee-for-service presses, and the availability of self-publishing platforms on booksellers’ online sites. The present survey of specialist trade book publishers and their responses to global changes in the industry forms part of the second stage of our major study of Australia’s changing book industry.
Disruption and Innovation in the Australian Book Industry - 4 February 2016
This report contains case studies of 25 Australian trade and education publishers:
Allen and Unwin, Accessible Publishing Systems, ANU Press, The Author People, Cengage Learning, Hachette, Hardie Grant Books, Harlequin Enterprises, Hello Table, if:book Australia, Kids Own Publishing, Magabala Books, Malarkey (publisher of The Footy Almanac), Momentum, Monash University Publishing, Overland, Oxford University Press, Pantera Press, Pearson Australia, Pitt Street Poetry, Re.press, Seizure, Simon & Schuster, Spinifex Press, and Wiley.
The key findings from a national survey of over 1,000 Australian book authors.
The Conversation - How to read the Australian book industry in a time of change - 14 October 2015
Australian Financial Review - Opening up a new chapter for bookstores
Bendigo Advertiser, Newcastle Herald, Redland City Bulletin, SMH, The Age, The Guardian - News and views from the book world
Books+Publishing - Innovations, challenges in publishing
Sydney Review of Books - How to Sell a Book
Survey of Australian Authors - Industry Briefs
The industry briefs are a series prepared for Australian book authors and other members of the Australian book industry to highlight key findings of the 2015 survey.
Thank you to all of the authors who generously gave their time and expertise by participating in the survey.
- Key Findings
- Demographics of Australian Book Authors
- Authors' Income
- Changes in the Financial Position of Australian Book Authors
- Authors' Changing Professional Practices
- Authors' Allocation of Time
- Rights Sales, Translations and Piracy
- Authors and Publishers
Further details on the survey can be accessed from the Department of Economics Working Paper, Book Authors and their Changing Circumstances: Survey Method and Results.
Australian authors prove Mark Twain right: It doesn't pay to write - The Australian
Authors in a changing World - Sydney Review of Books
Macquarie University author survey finds authors earn on average $12,900 - Books and Publishing
Editorial TEXT Vol 19 No 2
National Survey of Remote Aboriginal and Torres Strait Islander Artists
Production of art is one of the major avenues for providing incomes and economic opportunity for Aboriginal and Torres Strait Islander people. This is particularly true in remote towns, settlements, homelands and outstations across Australia, where cultural production is likely to be one of the most important means for providing a viable and culturally-relevant livelihood for members of the community. Indeed it can be suggested that in a number of such locations, the only feasible pathway towards long-term economic and cultural sustainability lies in the production and marketing of artistic goods and services, including the visual and performing arts, writing and storytelling as well as artistic production in newer formats such as film and audio-visual media.
In any context the making of art begins with the individual artist working alone or as a member of a group. There is a lot of information about the working circumstances of professional artists in the mainstream in Australia, but there are no reliable or comprehensive data on the conditions under which individual cultural production occurs in remote Aboriginal and Torres Strait Islander communities. The present proposal is for a project designed to fill that gap. It involves a nationwide survey of individual Indigenous artists working in remote areas in all forms of artistic and cultural production.
The project aims to yield benefits for cultural maintenance, Indigenous employment and participation, and community development. The results of the project will provide essential data on which to base new strategies for advancement of the Aboriginal and Torres Strait Islander arts and culture, and for the sustainable economic development of remote Indigenous communities.
Stage 1: Kimberley Region - Integrating Art Production and Economic Development in the Kimberley
Pilot project: East Arnhem Land - Remote Indigenous Cultural Practitioners in East Arnhem Land